The Virtues of a Good Pen
I've been meaning to post about this article for a while. It's been patiently waiting for me in my "to be blogged" pile. Skip the Paris Cafes And Get a Good Pe n was in the Wall Street Journal on September 29th. In it, Mark Helprin writes: The fewer tools the better, and they need not be costly or complicated. Whether you use a pencil, a pen, an old typewriter or something electrical is largely irrelevant to the result, although there is magic in writing by hand. It's not just that it has been that way for 5,000 years or more, and has engraved upon our expectations of literature the effects associated with the pen—the pauses; considerations; sometimes the racing; the scratching out; the transportation of words and phrases with arrows, lines and circles; the closeness of the eyes to the page; the very touching of the page—but that the pen, not being a machine (it does not meet the scientific definition of a machine), is a surrender to a different powe...